Giuseppe Cucè and the Art of Staging Estasi E Veleno as Pure Contradiction
Giuseppe Cucè and the Art of Staging Estasi E Veleno as Pure Contradiction
Strings, Mediterranean Rhythm and a Dance Floor, Held Together by One Deliberate Contradiction
The video for Estasi e veleno puts a fragile Spider-Man and a recognisably human Christ in the same frame, and shoots them the way Fellini might have, filtered through Sorrentino. Giuseppe Cucè is not being random. He builds the record underneath the same way, setting a dance floor against strings and asking a listener to hold both at once.
Giuseppe Cucè sits in the playlist below, and the full run of what this network has written about him is gathered on the Giuseppe Cucè profile. Estasi e veleno reached this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news sites. Play it first, then carry on reading.
How Estasi E Veleno Puts Acoustic Playing And A Dance Pulse In The Same Room
Start with what is in the arrangement, because the presentation follows from it.
The foundation is a pop record with a pulse. There is a floor here, and it moves. Over it sit the things a dance track usually leaves out. Strings. Acoustic playing. A rhythmic accent that reads as Mediterranean rather than imported. Cucè has worked with artistic producer Riccardo Samperi since 2008, and that partnership shows in how much of the playing survives into the final record.
That combination is the whole design. A programmed floor gives the song its forward motion. Meanwhile the played elements give it weight. Neither decorates the other, and so the track resists filing as either a dance single or a songwriter’s piece.
It runs three minutes eighteen seconds and went to radio and streaming on 3 July 2026. TRP Vibes, part of Track Records Productions, issued it.
What The Title Of Estasi E Veleno Is Doing, And Why The Song Refuses To Resolve It
The title states the method plainly. Estasi e veleno translates as ecstasy and poison, and the song treats them as one experience rather than two.
Italian coverage has been consistent about the reading. Writing at 7corde, the seduction is the pull of the contemporary world and the poison is the habit of no longer questioning it. Diffusioni Musicali framed the same single as a portrait of disorientation, of losing the reference points that used to make things legible.
An arrangement that is simultaneously inviting and slightly wrong is the correct setting for that idea. So the song never resolves the contradiction, and it never moralises about it either, which is the harder choice and the more interesting one.
Three points of comparison help place it, none of them a claim of any connection between the artists. Dimartino writes Sicilian pop with the same instinct for putting a serious idea inside a bright frame. Cosmo has spent a decade proving an Italian songwriter can work a club floor without abandoning the writing. Jessie Ware built a late career on disco records that keep live warmth in the mix rather than flattening it.
What The Mix Keeps, And Why The Video Argues Exactly The Same Case
A mix is a set of decisions about what a listener notices. This one keeps the human signal in front.
Cucè places the vocal where the words register, which matters for a lyric built on contradiction. Around it, the acoustic elements stay audible as playing instead of smoothing into pad. As a result the record sounds staged rather than assembled, and staging is the right word for what he does across the whole release.
That is where the video stops decorating the song and joins the argument. Gianluca Scalia directed it, and Cucè conceived it as an emotional route rather than a narrative one, alternating contemplative passages with sharper ones and running sacred against profane, irony against unease, lightness against depth. Cori Amenta appears with the poise the piece needs. The unexpected figures are the point. A Spider-Man who looks breakable. A Christ who looks like a person. Cucè set out the thinking behind all of it in an interview with PrimaMusic.
Put the two side by side and the project reads as one thing. The song asks a listener to enjoy something and distrust it at the same time. Likewise, the video asks a viewer to do exactly that with images they think they already know. Sound and picture make the same request, and so the single works better as a presentation than as a track heard cold.
AltPop.News’s curator team: “Most pop records that want to be taken seriously turn the tempo down to prove it. This one does the opposite. It keeps the floor intact and lets the strings carry the doubt, which is a much harder balance to hold for three minutes.”
Where To Hear Estasi E Veleno And Follow Giuseppe Cucè
Estasi e veleno is streaming now, and arrived alongside an Italian club run beginning in July 2026.
You can hear it on Spotify, Tidal and Deezer.
Giuseppe Cucè posts new music, video and live news on Instagram, Facebook, TikTok, X and his YouTube channel. Finally, he collects everything on his official site.
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