Why Mitski Traded a Proper Tour for Residencies
Mitski’s year started with a house. Before her six nights at The Shed in New
Pop
Phones Are Not Invited to Phoebe Bridgers’ Lost Tour
The first prop at a Phoebe Bridgers show this autumn is a small fabric pouch.
Matangi and the Art of the One-Producer Indie Pop Single on IT WASN’T MY FAULT!
Indie Pop in Two Minutes Forty-Five, Written by Four and Finished by One Vancouver Producer
Shahev Sen and the Art of the Violin Opening on Come Again to You
A Calcutta Songwriter Builds From Violin and Acoustic Guitar to a Pop Chorus The first
Giuseppe Cucè and the Art of Staging Estasi E Veleno as Pure Contradiction
Strings, Mediterranean Rhythm and a Dance Floor, Held Together by One Deliberate Contradiction The video
Ruby Haunt Reached 280 Million Streams Without a Label
The press photograph for the new record shows two men sitting on a leather sofa
Lorde Says a Twelve-Year-Old Presold Her Creative Output
The announcement did not arrive as a press release, a statement from a publicist, or
Amirmohammad Yaser Roya: the Art of Building Persian Pop for A Global Room
An Iranian Singer Who Kept His Full Name and Sent the Record Out Anyway Plenty
Boyhood Recorded I’ll Dream InStead on a Bed and an Old Casio
Caylie Runciman, who records as Boyhood. The press image for the record is a single
Beach House Are Building a Smaller Live Show They Can Fly
The last Beach House album ran eighty-four minutes, across eighteen tracks and four separately released